Dēmos · Classical Athenian Democracy · a Stoa Publication
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Introduction: Cimon’s Family and Character.
→ Cimon’s Successes.
The Beginning of Conflict with the Democrats.
Democratic Reforms Behind Cimon’s Back.
The Reforms that Cimon Opposed.
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Christopher W. Blackwell, edition of January 31, 2003
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Herodotus (Hdt.).
Plutarch (Plut. Thes.).
Thucydides (Thuc.).
Diodorus (Diod.).
Aristotle (Aristot. Ath. Pol.).
Plutarch (Plut. Cim.).
Plutarch (Plut. Arist.).
Pausanias (Paus.).
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Delphi.
Attica.
Scyros.
Athens.
Sparta.
Greece.
Cimon enjoyed this influence over affairs because he was a very successful general, politician, and perhaps self-promoter. After the Persian Wars, when the Athenians were rebuilding their city (it had been sacked by the Persians in
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Plutarch (Plut. Cim.).
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Persia.
Aegean.
Athens.
In the years
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Thucydides (Thuc.).
Pausanias (Paus.).
Plutarch (Plut. Cim.).
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Persia.
Aegean.
Eion.
Thrace.
Athens.
Greece.
Amphipolis.
Those years also marked the beginning of a series of naval battles between Persia and Athens, under the command of Cimon, that would, by
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Thucydides (Thuc.).
Pausanias (Paus.).
Plutarch (Plut. Cim.).
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Eurymedon.
Hydrus.
Persia.
Cimon’s greatest moment, however, was in
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Plutarch (Plut. Cim.).
Thucydides (Thuc.).
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Athens.
Athens was still the leading city of the defensive alliance of Greek states, many of which grew tired of providing ships for the common defense; according to Plutarch, Cimon allowed them to pay money instead of contributing ships, money that the Athenians used to expand their own fleet, which would provide protection to all the allies. Thus, “before they knew it, they were tribute-paying subject rather than allies” (Plut. Cim. 11.1-3; compare Thuc. 1.99, which tells the same story without mentioning Cimon). This was the birth of the Athenian “empire” (ἀρχή) that would shape the city’s history in the
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Plutarch (Plut. Cim.).
Plutarch tells the following story to illustrate Cimon’s prestige during these years when he was one of the ten generals elected by the Athenians. On the occasion when the tragedian Sophocles was producing his first tragedies in the Theater of Dionysus, putting them in competition with some tragedies of Aeschylus, the crowd was in an uproar, excited by the young poet’s challenge to the old master. When Cimon and his fellow generals entered the theater, the archon chose them to judge the competition, rather than selecting ten judges at random. Cimon’s reputation calmed the crowd and prevented a riot when the “upstart” Sophocles won the competition (Plut. Cim. 8.7-8). This happened in
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