IMPORTANT Guidelines for viewing these pages |
I. |
Life → New paper (2007) |
II. |
Writings: an overview |
III. |
Principal manuscript sources: a brief sketch |
IV. |
Music |
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1. |
Expositio manus |
2. |
Proportionale musices |
3. |
Liber
imperfectionum notarum musicalium [→ Related paper] |
4. |
Tractatus de regulari valore notarum |
5. |
Tractatus de notis et pausis |
6. |
Tractatus
alterationum [→ Related paper] |
7. |
Scriptum ... super punctis musicalibus |
8. |
Liber de natura et proprietate tonorum |
9. |
Liber de arte contrapuncti |
10. |
Complexus effectuum musices |
11. |
De inventione et usu musice |
12. |
Terminorum musicae diffinitorium |
i. |
Minor Coloration Revisited: Okeghem's Ma bouche rit and Beyond (2001) » Text » Footnotes » Appendix |
ii. |
Sharp Practice in the Later Middle Ages: Exploring the Chromatic Semitone and its Implications (2006)
Please read this first |
iii. |
Brussels, Bibliothèque Royale, MS II 4147: The Cultivation of Johannes Tinctoris as Music Theorist in the 19th Century (2007) » Text » Footnotes » Appendix: A Description of Brussels, Bibliothèque Royale, MS II 4147 |
iv. |
At the Limits of Mensural Theory: Tinctoris on Imperfection and Alteration
(2006) » Text » Footnotes |
v. |
Did Tinctoris Listen to Okeghem? Questions of Textuality and Authority in the Late Fifteenth Century
(2005) » Text » Footnotes |
vi. |
Tinctoris and Nivelles: The Obit Evidence
(2007) » Text » Footnotes |